le mie pubblicazioni (selezione)

Nota - Questo elenco non include, per ora, il materiale pubblicato in questo blog o in quello corrispondente in inglese.

LIBRI

Letter to the World: Martha Graham danza Emily Dickinson, Roma, Aracne, 2015.

SAGGI

"Afrofuturist Degas", Roots-Routes - Research in Visual Cultures, Anno IX, N 31, settembre-dicembre 2019, www.roots-routes.org, disponibile online: http://www.roots-routes.org/afrofuturist-degas-by-rosella-simonari/

"Martha Graham's Letter to the World: A dance adaptation of Emily Dickinson", Journal of Adaptation in Film & Performance, Vol 12, Ns 1-2, 1 June 2019, pp. 33-48.

"The Ancestress figure: Puritanism in Martha Graham's choreography", The European Journal of American Culture, Vol 33, issue 2, June 2014, pp. 131-145. 

"The p.s. (la studiosa precaria): Raccontare la precarietà della ricerca attraverso una striscia a fumetti", in Mappe della precarietà, vol II, Bologna, Odoya, pp. 191-210.

"Identità che s/ballano in rete: pratiche di interazione e collaborazione con il sito www.ballet-dance.com!, Atti del Convegno Scritture di donne fra letteratura e giornalismo, Società Italiana delle Letterate, pubblicato online qui.

“La seducción que danza: relación entre coreología y estudios de género en el mito de Carmen”, Atti del Convegno La disciplina coreologica in Europa: Problemi e Prospettive, a cura di Cecilia Nocilli e Alessandro Pontremoli, Roma, Aracne, 2010, pp. 105-120.

“Sulle tracce di Letter to the World: lo studio di una coreografia di Martha Graham fra ricostruzione e precarietà”, Atti del Convegno La danza fuori dalla scena – Cultura, media, educazione, a cura di Ornella Di Tondo, Alessandro Pontremoli, Francesco Stoppa, La Rivista Abruzzese, no. 81 (numero monografico), 2010, pp. 81-94.

““Is a Word Dead When it is Said?: Relationship between Text and Performance in Martha Graham’s Letter to the World”, in Expression in the Performing Arts, a cura di Inma Álvarez, Héctor J. Pérez e Francisca Pérez-Carreño, Cambridge, Cambridge Scholars Publishing, 2010, pp. 151-166.

“‘After Great Pain, A Formal feeling Comes’: Emily Dickinson’s Poetry and Figure in Martha Graham’s Letter to the World”, Atti del XIX convegno AISNA (Associazione Italiana di Studi Nord-Americani), USA: Identities, Cultures, and Politics in National, Transnational, and Global Perpsectives, a cura di Marina Camboni, Valerio Massimo De Angelis, Daniele Fiorentino, Tatiana Petrovich Njegosh, Macerata, Edizioni Università di Macerata, 2009, pp. 539-552.

“The p.s. (precarious scholar): using the concept of precarity as a creative tool”, Conversations Across the Field of Dance Studies – Dancing Economies, Society of Dance History Scholars Newsletter, vol XXIX, 2009, pp. 14-17.

““Accade in letteratura…e non solo: New Italian Epic, letteratura, danza e altre arti”, saggio in quattro puntate: 1) http://dancescriber.blogspot.com/2009/04/accade-in-letteratura-e-non-solo-new.html,
2) http://dancescriber.blogspot.com/2009/04/accade-in-letteratura-e-non-solo-new_29.html,
3) http://dancescriber.blogspot.com/2009/05/accade-in-letteratura-e-non-solo-new.html,
4) http://dancescriber.blogspot.com/2009/05/accade-in-letteratura-e-non-solo-new_06.html.

“Danzare il cante jondo: ipotesi di contaminazione fra Martha Graham e il flamenco”, Atti delle giornate di studio in memoria di Giorgio Di Lecce, Corpi danzanti. Culture, tradizioni, identità, a cura di Ornella Di Tondo, Immacolata Giannuzzi, Sergio Torsello, Nardò, Besa, 2009, pp. 209-230.

“Bringing Carmen Back to Spain: Antonio Gades’s Flamenco Dance in Carlos Saura’s Choereofilm”, Dance Research, vol. 26, n. 2, Winter 2008, pp. 189-203.

Sappiano le mie parole di sangue e New Italian Epic”,
http://www.carmillaonline.com/archives/2008/09/002794.html, 28 settembre 2008.

“Looking Back at Martha Graham’s Letter to the World: Its Genesis, Its Reception, Its Legacy”, in Looking Back/Moving Forward, SDHS (Society of Dance History Scholars) Conference Proceedings, 2008, pp. 52-57.

“Alberto Spadolini e la danza”, in Marco Travaglini (curato da), Bolero-Spadò: Alberto Spadolini, una vita di tutti i colori, Modigliana, Litografia Fabbri, 2007, pp. 118-126. Catalogo mostra, Sala Imperatori, Porto San Giorgio (Fermo), 10 agosto – 9 settembre 2007.

"Spadolini: danzatore primitivista o pittore di ballerine?”, pubblicato su www.albertospadolini.it, aprile 2007.

ARTICOLI

“Dead or Alive?: Martha Graham’s Legacy Twenty Years After she Passed Away”, <http://www.ballet-dance.com/201201/GrahamJan2012.html>, gennaio 2012.

 “Moving Fabric: Costumes and Movement in Tero Saarinen’s Dances”, http://www.ballet-dance.com/200911/articles/feature_tsaarinen_20091002_simonari.html, novembre 2009.

““New Italian Epic e gender: riflessioni sparse”, Leggere Donna, n. 140, maggio-giugno 2009, pp. 29-30, disponibile online al seguente indirizzo: http://www.carmillaonline.com/archives/Rosella_Simonari_New_Italian_Epic_e_gender.pdf

“Martha Graham atti di luce con Emily Dickinson”, Danza&Danza, n. 195, dicembre 2006, p. 18.

“In Search of Alberto Spadolini: the Incomplete Mosaic Behind an Extraordinary Life”,
http://www.ballet-dance.com/200608/articles/Spadolini20060700.html, agosto 2006.

“Dancing Carmen, Dancing Freedom: Antonio Gades’ Dance Adaptation in the Light of a Long and Enduring Genealogy”,
http://www.ballet-dance.com/200607/articles/Carmen200606.html , luglio 2006.

“Henri Oguike Dance Company: Open Rehearsal for Tiger Dancing, plus extracts from Front Line, Finale”, http://www.ballet-dance.com/200603/articles/Oguike20060127.html, marzo 2006.

“Tero Saarinen Company, Open Rehearsal: 'Borrowed Light'”,
http://www.ballet-dance.com/200410/articles/Saarinen20040728.html, ottobre 2004.

"Lilith, The Pioneering Woman, The Woman in White…Examples of 'Knowing Figures' in Martha Graham's Dances",
http://www.criticaldance.com/features/2003/mgdc_knowing_20030900.html, ottobre 2003.

"Lettera al mondo: Martha Graham danza Emily Dickinson", Leggere Donna, n. 93, luglio – agosto 2001, pp. 38-39.

RECENSIONI

“Nobody Knows and “I Lost Something on the Hill”: Fernando Suels Mendoza and Luna Dance Company”, http://www.ballet-dance.com/201105/Luna11Dec2011.html, dicembre 2011.

“Menhir Company: Nina e le nuvole (Nina and the clouds)”, http://www.ballet-dance.com/201105/Menhir21May2011.html, estate 2011.

“Anne Bogart and Martha Graham Hand in Hand Across America – SITI Company and Martha Graham Dance Company ‘American Document’”, http://ballet-dance.com/201011/articles/sitimgdc_american_20100611_simonari.html, novembre 2010.

“Fists Up and Moving. Dance is a Weapon – Martha Graham Dance Company”, http://ballet-dance.com/201010/articles/mgdc_joyce_20100609_simonari.html, ottobre 2010.

 “Martha Graham reinventata da Anne Bogart”, Danza&Danza, luglio – agosto 2010, p. 12.

“Venice Biennale ‘Degree Zero’ – International Colloquium of Contemporary Dance”, http://www.ballet-dance.com/200908/articles/venicebiennale_colloquium_20090626_simonari.html, estate 2009.

“Emio Greco / PC – Hell”, http://ballet-dance.com/200906/articles/greco_hell_20090505_simonari.html, giugno 2009.

"First Position: A century of Ballet Artists – book by Toba Singer”, http://www.ballet-dance.com/200811/articles/book_firstposition_20081000_simonari.html, novembre 2008.

“Painting the Stage Conference – Examining the interrelationship of painting and the performing arts”, http://www.ballet-dance.com/200711/articles/paintingthestage.html, novembre 2007.

“Alberto Spadolini Exhibition – Bolero-Spado': Una Vita Di Tutti I Colori”, http://www.ballet-dance.com/200710/articles/albertospadoliniexhibition.html, ottobre 2007.

“Waving good-bye to Manon - Alessandra Ferri's Final Season with ABT”,
http://www.ballet-dance.com/200707/articles/ABT20070611.html, luglio 2007.

“Il danzatore che dipingeva la danza”, Danza&Danza, 201, luglio – agosto 2007, p. 19.

“Putting it Down in Words: Dance Theatre Journal Writing on Performance Conference”, http://www.ballet-dance.com/200705/articles/DTJ20070331.html, maggio 2007.

“Errand into Graham’s Maze: The Martha Graham Dance Company in Italy”,
http://www.ballet-dance.com/200704/articles/MGDC20070216.html, aprile 2007.

“500 Years of Italian Dance: Treasures from the Cia Fornaroli Collection”,
http://www.ballet-dance.com/200703/articles/ItalianDance2006.html, marzo 2007.

“Compagnie Linga: When a Table is Centerstage”,
http://www.ballet-dance.com/200702/articles/Linga20061222.html, febbraio 2007.

“Homage to Milloss”, http://www.ballet-dance.com/200610/articles/Milloss20060610.html, ottobre 2006.

“Takao Kawaguchi’s D.D.D.: Dancing to the Rhythm of the Heart”,
http://www.ballet-dance.com/200608/articles/Kawaguchi20060609.html, agosto 2006.

“Enlightened by Death: Ismael Ivo’s Illuminata”,
http://www.ballet-dance.com/200608/articles/Ivo20060610.html, agosto 2006.

“What is There Under the Skin of the Dancing Body?: Underskin – Venice Biennale Dance Symposium”, http://www.ballet-dance.com/200607/articles/Underskin20060609.html,
luglio 2006.

“When Art Dances: The Dance of the Avant-Gardes Exhibition”,
http://www.ballet-dance.com/200606/articles/AvantGardes20060421.html, giugno 2006.

“Between Present and Future: Cullberg Ballet’s New Route”,
http://www.ballet-dance.com/200605/articles/Cullberg20060319.html, maggio 2006.

“Aterballetto: Mozart, Love and the ‘Colours’ of the South of Italy”,
http://www.ballet-dance.com/200604/articles/Aterballeto20060223.html, aprile 2006.

“Shen Wei Dance Arts’ Conntect Transfer: When Dance Paints Movement”,
http://www.ballet-dance.com/200602/articles/ShenWei20051126.html, febbraio 2006.

“Tero Saarinen Company: “Borrowed Light”, The Light of Community”,
http://www.ballet-dance.com/200508/articles/Saarinen20050409.html, agosto 2005.

“Henri Oguike Dance Company: The Energy Between Light and Sound”,
http://www.ballet-dance.com/200508/articles/HenriOguike20050712.html, agosto 2005.

“Tanya Khabarova - 'Reflection': Eve, evolution, and the journey into life”,
http://www.ballet-dance.com/200501/articles/Khabarova20041216.html, gennaio 2005.

“Yolande Snaith Theatre dance - 'Jardin Blanc': The white garden of movement”,
http://www.ballet-dance.com/200411/articles/Snaith20041025.html, novembre 2004.

“Tero Saarinen Company - ‘Westward Ho!’, ‘Wavelengths’, ‘Hunt’”, http://www.ballet-dance.com/200408/articles/Saarinen20040716.html, agosto 2004.

“Graham Pleasing and Political, Martha Graham Dance Company”, http://www.ballet-dance.com/200403/articles/Graham20040222.htm, marzo 2004.

“Satyric Festival Song, Martha Graham Dance Company”,
http://www.criticaldance.com/reviews/2003/MarthaGrahamDanceCo20031100.html, dicembre 2003

“Oh my Goddess!”, Micheal Clark Dance Company,
http://www.criticaldance.com/reviews/2003/Clark20031004s.html, novembre 2003.

INTERVISTE

“Pina Bausch and Beyond: Interview with Fernando Suels Mendoza”, http://www.ballet-dance.com/201201/MendozaJan2012.html, gennaio 2012.

“Ritmo di parola e gesto: intervista a Valeria Simone”, http://dancescriber.blogspot.com/2012/02/ritmo-di-parola-e-gesto.html, 22 maggio 2011.

“Albero, ecologia dell’anima: intervista a Elisa Latini”, http://dancescriber.blogspot.it/2011/07/albero-ecologia-dellanima.html, 31 maggio 2011.

"An Interview with Susan Sentler: Exploring Martha Graham’s “Primitive Mysteries””, http://www.ballet-dance.com/200612/articles/Sentler200609.html, dicembre 2006.

“Tero Saarinen: Dance that H(a)unts, Dance that Enchants”,
http://www.ballet-dance.com/200503/articles/TemoSaarinen20040724.html, marzo 2005.

"Visioni di/da donna tatuata: intervista a Betti Marenko",
http://www.donneinviaggio.it/articoli2.asp?id=96 (al momento non disponibile), ottobre 2004.

(aggiornato il 16 settembre 2019)